Tuesday, September 13, 2016

Ebook Come Alive: The Cityscape Series Book 2By Jessica Hawkins

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Come Alive: The Cityscape Series Book 2By Jessica Hawkins

Come Alive: The Cityscape Series Book 2By Jessica Hawkins


Come Alive: The Cityscape Series Book 2By Jessica Hawkins


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Come Alive: The Cityscape Series Book 2By Jessica Hawkins

Determined to move on with her life, Olivia Germaine has vowed to forget David Dylan. Struggling to keep her head above water, she focuses on her new promotion and refuses to drown in the memory of their night together.

But when Olivia realizes what life without David means, she must decide if she is willing to risk everything for him...and if she is ready to reopen the wounds of her past.

Can Olivia move forward with her marriage despite her feelings for David? And can David stay away like he promised?

  • Sales Rank: #11517 in Audible
  • Published on: 2015-11-05
  • Format: Unabridged
  • Original language: English
  • Running time: 474 minutes

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Wednesday, August 17, 2016

Free PDF Studies in Relational Grammar 1From University Of Chicago Press

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Studies in Relational Grammar 1From University Of Chicago Press

In this long-awaited book—the first in a three-volume work—David M. Perlmutter has co-authored and edited ten essays that introduce relational grammar, a novel conception of sentence structure that offers far-reaching conclusions for universal grammar.

The basic ideas of relational grammar can be simply stated. First, grammatical relations such as 'subject of,' 'direct object of,' and 'indirect object of,' are needed to characterize the class of grammatical constructions in the clausal syntax of natural languages, to formulate universals of grammar, and to construct adequate and insightful grammars of individual languages. Second, the range of linguistic variation in word order and case patterns makes it impossible to define grammatical relations in terms of phrase structure configurations or case. Rather, grammatical relations must be taken as primitive notions of linguistic theory.

The papers collected here take up the first of these ideas. They lay out the basic theoretical constructs of relational grammar and discuss three areas of grammar—advancement construction, raising, and clause union. In his introduction, Perlmutter discusses each of the papers—most of which are published here for the first time—and places them in the context of the whole of linguistic study.

  • Sales Rank: #4930736 in Books
  • Published on: 1986-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.07" w x 6.00" l, 1.10 pounds
  • Binding: Paperback
  • 428 pages

From the Back Cover
In this book--the first in a projected two-volume work--David M. Perlmutter has co-authored and edited ten essays that introduce relational grammar, a novel conception of sentence structure that offers 'the farthest-reaching conclusions for universal grammar.'

About the Author
David M. Perlmutter is professor of linguistics at the University of California at San Diego.

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Sunday, August 14, 2016

Free PDF The Biography of Corn (How Did That Get Here?), by L. Michelle Nielsen

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The Biography of Corn (How Did That Get Here?), by L. Michelle Nielsen

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The Biography of Corn (How Did That Get Here?), by L. Michelle Nielsen

Product details

Age Range: 7 - 14 years

Grade Level: 2 - 9

Series: How Did That Get Here? (Book 12)

Paperback: 32 pages

Publisher: Crabtree Publishing Company (July 27, 2007)

Language: English

ISBN-10: 0778725278

ISBN-13: 978-0778725275

Product Dimensions:

8.2 x 0.2 x 11 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

2.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#1,130,219 in Books (See Top 100 in Books)

This book organizes information well, but is poorly written. Examples: ". . . each one able to grow in different environments", "The majority of corn grows . . . ", ". . . a gene that makes it more resistant to disease or require less water . . . ". . . droughts, which leads . . . "

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The Biography of Corn (How Did That Get Here?), by L. Michelle Nielsen PDF

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Friday, August 12, 2016

Free PDF PM Crash Course for IT Professionals: Real-World Project Management Tools and Techniques for IT Initiatives Paperback - October 16, 2009

Free PDF PM Crash Course for IT Professionals: Real-World Project Management Tools and Techniques for IT Initiatives Paperback - October 16, 2009

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PM Crash Course for IT Professionals: Real-World Project Management Tools and Techniques for IT Initiatives Paperback - October 16, 2009

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PM Crash Course for IT Professionals: Real-World Project Management Tools and Techniques for IT Initiatives Paperback - October 16, 2009

  • Published on: 1605
  • Binding: Paperback

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Tuesday, June 28, 2016

Ebook I Want to Change My Life: How to Overcome Anxiety, Depression and Addiction, by Steven M Melemis

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I Want to Change My Life: How to Overcome Anxiety, Depression and Addiction, by Steven M Melemis


Ebook I Want to Change My Life: How to Overcome Anxiety, Depression and Addiction, by Steven M Melemis

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I Want to Change My Life: How to Overcome Anxiety, Depression and Addiction, by Steven M Melemis

About the Author

Steven M. Melemis MD PhD is a leading authority in addiction and mood disorders. He is past Vice-Chair of Addiction Medicine for the Ontario Medical Association. Dr. Melemis has a post-doctoral fellowship from the University of California at Berkeley, and has received the honor of Fellow of the Royal Society of Medicine. He has lectured widely to the public and to health professionals, and has been interviewed for print, radio, and television.

Read more

Product details

Paperback: 276 pages

Publisher: Modern Therapies; 1/30/10 edition (March 1, 2010)

Language: English

ISBN-10: 1897572239

ISBN-13: 978-1897572238

Product Dimensions:

5.5 x 0.7 x 8.5 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

148 customer reviews

Amazon Best Sellers Rank:

#10,558 in Books (See Top 100 in Books)

I just can’t stop highlighting for notes! This book is helping me a lot on my battle with depression, anxiety, and addiction. I made my own notes after reading so that I can implement them. Can’t say much now as today is only my Day 3 of Week 1 of the 1-month program found in this book. But overall, I’m satisfied with the book content!

One of the best books I have ever read on anxiety. If you are struggling with that I would buy it immediately.

This small book has inspired fresh hope in my current situation. I am a Presbyterian minister and Marriage and Family Therapist. I am also an opiate addict in treatment at the Mt. Sinai Wellness Center in Dahlonega, Georgia. Decades of pain medication for my chronic back problem led to an addiction that negatively affected my professional capabilities. I entered treatment for this addiction, seeking help to rid myself of narcotics. While in treatment, I read this book in an attempt to better understand Post Acute Withdrawal Syndrome. The book clearly explained my current predicament, thus giving me hope for my future. I highly recommend this text for anyone suffering from opiate addiction who hopes to find a better, drug-free life ahead.

I was assigned this book for a psych class and loved it. While I found that the prescription for daily meditation might not be completely reasonable for my lifestyle I think that he does a great job of taking away the "hocus pocus" of meditation. The points about negative thinking were also life changing!

Very good for an ocd person explained why I have fallen for addictive patterns though out my life

This book is incredible! I highly recommend it if you're in recovery, a loved one of someone in recovery, searching for answers to reduce stress, and/or wishing to truly change your life.

This book changed my life. After dealing with recovery from addiction and negative self talk for over 2 and a half years I was blessed to come across this book by fate. After going through recovery for 2 years I read books on top of books for the secret that would make it all easier. After tons and tons of books and no significant results, I found this book accidentally while searching amazon. The mind body relaxation the author describes was everything I was searching for and I didn’t even know it. I could not reccomend this book enough. The coping skill is so thoroughly explained this book changed my life. Thank you so much.

One of the landmark books on this topic...no one comes close to this..Read it and you will learn a lot of things...

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Saturday, June 25, 2016

PDF Download J2EE Design Patterns AppliedBy Matjaz Juric, Nadia Nashi, Craig Berry, Meeraj Kunnumpurath, John Carnell, Sasha Romanosky

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J2EE Design Patterns AppliedBy Matjaz Juric, Nadia Nashi, Craig Berry, Meeraj Kunnumpurath, John Carnell, Sasha Romanosky


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J2EE Design Patterns AppliedBy Matjaz Juric, Nadia Nashi, Craig Berry, Meeraj Kunnumpurath, John Carnell, Sasha Romanosky

The use of design patterns in J2EE applications is an exciting new field, adding to the existing wealth of software design patterns. However these patterns do not exist in isolation, and inevitably they need to be assembled to form larger and more complex frameworks. Selecting patterns and turning them into real world solutions is never an easy task. Furthermore applying patterns in general, or J2EE patterns in particular, to address business and technical requirements poses enormous challenges.

This book is a guide to creating scalable and secure J2EE applications using patterns; including sound object-oriented design principles and real world practices. The aim is to offer designers and developers access to the best techniques for designing and building J2EE solutions.

This book is not intended to be a catalog of J2EE patterns; rather the focus is on solving problems with patterns and devising implementation and deployment strategies. Each chapter is oriented around using patterns to achieve a specific purpose or more generally contribute to a goal.

  • Sales Rank: #3346400 in Books
  • Brand: Brand: Peer Information
  • Published on: 2002-06
  • Original language: English
  • Number of items: 1
  • Dimensions: .88" h x 7.28" w x 8.98" l,
  • Binding: Paperback
  • 450 pages
Features
  • Used Book in Good Condition

Amazon.com Review
Aimed at the intermediate to advanced Java developer or architect, J2EE Design Patterns Applied offers a compendium of the latest thinking on using Java effectively to build scalable enterprise systems. Filled with hints and excellent "best practices" on software patterns, this book will be nearly indispensable for anyone who wants to become an expert at Java design. While there are a good many available books on software patterns, this is one of the few that concentrate on reusable software designs specifically geared toward the Java 2 Enterprise Edition (J2EE), a popular option for Web applications today. The authors have catalogued several dozen J2EE patterns garnered from Sun Microsystems and online resources.

The tendency for any book on software patterns is to dissolve into software engineering jargon, and you'd expect this title to do the same given the abstract names for many patterns listed in its early sections (for example, "Intercepting Filter," "View Helper," and "Service-to-Worker" are hardly catchy names). While the authors do provide the "official" UML and pattern descriptions for these J2EE patterns, the real surprise is that they use a handful of longer case studies to show off each pattern in action. First there is a hotel booking application to show off Web tier patterns. Next comes an excellent case study on persistence patterns used to simplify working with EJBs and databases. Patterns for improving performance and scalability are illustrated with a travel booking application.

In each case, the authors manage to introduce a number of important patterns while anchoring their presentation with a practical and interesting discussion of real applications. This approach makes this title succeed on several levels, both in presenting essential patterns and demonstrating how these designs often work together in real Web solutions.

The end result is a text on software patterns that provides some of the best thinking on J2EE design today in a remarkably readable and engaging format. In all, this title will be absolutely required reading for anyone who lays claim to be an expert on today's J2EE platform. --Richard Dragan

From the Publisher
This book is for developers who are familiar with the J2EE platform, and want to learn how to better utilize this technology. Developers and architects alike will be interested in how to exploit the power of patterns in their J2EE applications.

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Thursday, June 23, 2016

Free Download All the Rivers: A NovelBy Dorit Rabinyan

Free Download All the Rivers: A NovelBy Dorit Rabinyan

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All the Rivers: A NovelBy Dorit Rabinyan

All the Rivers: A NovelBy Dorit Rabinyan


All the Rivers: A NovelBy Dorit Rabinyan


Free Download All the Rivers: A NovelBy Dorit Rabinyan

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All the Rivers: A NovelBy Dorit Rabinyan

A controversial, award-winning story about the passionate but untenable affair between an Israeli woman and a Palestinian man, from one of Israel’s most acclaimed novelists When Liat meets Hilmi on a blustery autumn afternoon in Greenwich Village, she finds herself unwillingly drawn to him. Charismatic and handsome, Hilmi is a talented young artist from Palestine. Liat, an aspiring translation student, plans to return to Israel the following summer. Despite knowing that their love can be only temporary, that it can exist only away from their conflicted homeland, Liat lets herself be enraptured by Hilmi: by his lively imagination, by his beautiful hands and wise eyes, by his sweetness and devotion. Together they explore the city, sharing laughs and fantasies and pangs of homesickness. But the unfettered joy they awaken in each other cannot overcome the guilt Liat feels for hiding him from her family in Israel and her Jewish friends in New York. As her departure date looms and her love for Hilmi deepens, Liat must decide whether she is willing to risk alienating her family, her community, and her sense of self for the love of one man. Banned from classrooms by Israel’s Ministry of Education, Dorit Rabinyan’s remarkable novel contains multitudes. A bold portrayal of the strains—and delights—of a forbidden relationship, All the Rivers (published in Israel as Borderlife) is a love story and a war story, a New York story and a Middle East story, an unflinching foray into the forces that bind us and divide us. “The land is the same land,” Hilmi reminds Liat. “In the end all the rivers flow into the same sea.” International praise for All the Rivers“A fine, subtle, and disturbing study of the ways in which public events encroach upon the private lives of those who attempt to live and love in peace with each other, and, impossibly, with a riven and irreconcilable world.”—John Banville, Man Booker Prize–winning author of The Sea “I’m with Dorit Rabinyan. Love, not hate, will save us. Hatred sows hatred, but love can break down barriers.”—Svetlana Alexievich, winner of the Nobel Prize for Literature“Astonishing . . . [a] precise and elegant love story, drawn with the finest of lines.”—Amos Oz “Rabinyan’s writing reflects the honesty and modesty of a true artisan.”—Haaretz “Because the novel strikes the right balance between the personal and the political, and because of her ability to tell a suspenseful and satisfying story, we decided to award Dorit Rabinyan’s [All the Rivers] the 2015 Bernstein Prize.”—From the 2015 Bernstein Prize judges’ decision “[All the Rivers] ought to be read like J. M. Coetzee or Toni Morrison—from a distance in order to get close.”—Walla! “Beautiful and sensitive . . . a human tale of rapprochement and separation . . . a noteworthy human and literary achievement.”—Makor Rishon  “A captivating (and heartbreaking) gem, written in a spectacular style, with a rich, flowing, colorful and addictive language.”—Motke “Rabinyan’s ability to create a rich realism alongside a firm, clear and convincing flow of emotional fluctuations . . . gives the work a literary momentum and makes the reading both compelling and enjoyable.”—Ynet “A great novel of love and peace.”—La Stampa “A novel that truly speaks to the heart.”—Corriere della Sera

  • Amazon Sales Rank: #740 in Books
  • Brand: RANDOM HOUSE
  • Published on: 2017-04-25
  • Released on: 2017-04-25
  • Original language: English
  • Dimensions: 9.52" h x 1.02" w x 6.39" l, 1.25 pounds
  • Binding: Hardcover
  • 288 pages
Features
  • RANDOM HOUSE

Review International praise for All the Rivers“A fine, subtle, and disturbing study of the ways in which public events encroach upon the private lives of those who attempt to live and love in peace with each other, and, impossibly, with a riven and irreconcilable world.”—John Banville, Man Booker Prize–winning author of The Sea “I’m with Dorit Rabinyan. Love, not hate, will save us. Hatred sows hatred, but love can break down barriers.”—Svetlana Alexievich, winner of the Nobel Prize for Literature“Astonishing . . . Even the (asymmetrical) tragedy of the two peoples does not overwhelm this precise and elegant love story, drawn with the finest of lines.”—Amos Oz “Rabinyan is a generous writer who puts her characters first. . . . Rabinyan’s writing reflects the honesty and modesty of a true artisan.”—Haaretz “Rabinyan juggles cultures, languages, art forms, places, times, and seasons. . . . Because the novel strikes the right balance between the personal and the political, and because of her ability to tell a suspenseful and satisfying story, we decided to award Dorit Rabinyan’s [All the Rivers] the 2015 Bernstein Prize.”—From the 2015 Bernstein Prize judges’ decision “[All the Rivers] ought to be read like J. M. Coetzee or Toni Morrison—from a distance in order to get close. We might be born Montague or Capulet, but we can choose not to be part of the tragedy.”—Walla! “Beautiful and sensitive . . . a human tale of rapprochement and separation . . . a noteworthy human and literary achievement.”—Makor Rishon  “A captivating (and heartbreaking) gem, written in a spectacular style, with a rich, flowing, colorful and addictive language.”—Motke “Rabinyan’s ability to create a rich realism alongside a firm, clear and convincing flow of emotional fluctuations . . . gives the work a literary momentum and makes the reading both compelling and enjoyable.”—Ynet “A great novel of love and peace.”—La Stampa “More real and painful than a deep wound . . . a novel that truly speaks to the heart.”—Corriere della Sera

About the Author Dorit Rabinyan is the bestselling author of the acclaimed Persian Brides and Strand of a Thousand Pearls. She is the recipient of the Itzhak Vinner Prize, the Prime Minister’s Prize, an ACUM award, and the Jewish Quarterly–Wingate Prize. All the Rivers, originally published as Borderlife, was named as a book of the year by Haaretz and awarded the prestigious Bernstein Prize. In January 2016 it became the center of a political scandal in Israel when the Ministry of Education banned the book from the high school curriculum. All the Rivers has been translated into seventeen languages.

Excerpt. © Reprinted by permission. All rights reserved. Part One Autumn Chapter 1   Someone was at the door. I was vacuuming, with Nirvana on the stereo at full volume, and the polite doorbell chirps had failed to break through, rousing me only when they lost their patience and became long and aggressive. It was mid--November, early on a Saturday afternoon. I’d managed to get a few things done in the morning and was now busy cleaning. I vacuumed the couches and the hardwood floor, my ears bursting with the hollow roar of air and the reverberating music, a monotonous screen of white noise that somehow imbued me with calm. I was free of thoughts as I wielded the suction hose to root out dust and cat fur, entirely focused on the reds and blues of the rug. I snapped out of it when the vacuum’s sigh subsided just as the song was whispering its last sounds. In the three-- or four--second gap before the next track, I heard the sharp, insistent doorbell chime. Like a deaf person who suddenly regains her hearing, I had trouble finding language.   “Rak . . .” I stuttered in Hebrew at the door. “Rak rega . . .” Then I corrected myself as I glanced suspiciously at the clock: “Just a minute.”   It was one--thirty in the afternoon, but the bleak grayness outside made evening seem near. Through the steamed--up windows looking out from the twelfth floor to the corner of Ninth Street and University Place, I could dimly make out the respectable buildings of Fifth Avenue and a strip of low sky that gleamed like steel, squeezed in above the smoking chimneys.   The bell rang again but stopped a moment after I turned off the music. “One minute please . . .” I quickly scanned my reflection in the hallway mirror—-lopsided ponytail, dusty T--shirt and sweatpants, gym shoes—-and flung open the door.   Two men in their forties wearing business suits and dark ties stood outside. The one on the right held a document case under his arm and was a head taller than the one on the left, who stood facing me like a cowboy about to draw, or as though he were holding an invisible suitcase in each hand. The impatience conveyed by the right one’s bony fingers tapping on his black leather case, and the relief on the cowboy’s fleshy face, testified to the long minutes they had been waiting at the door.   “Hello,” I said, so surprised I was almost voiceless.   “Hello, ma’am. We’re very sorry to disturb you. My name is Agent Rogers, and this is my colleague Agent Nelson. We’re from the Federal Bureau of Investigation. May we come in for a few moments to ask you some questions?”   It was the one on the left talking, the gunslinger. His suit looked two sizes too small for his dense, solid body, and he spoke with a smooth inflection that stretched out the words and elongated the ends of syllables as if he were chewing on his tongue. I was frozen, unable to take in the names and titles, nor did I understand the meaning of what he had said until his tall partner, with demonstrative impatience and an unreadably steely expression, reached into his inner coat pocket and pulled out something I had only ever seen in movies and TV series: a gilded, embossed police badge.   I must have murmured something—-surprised, somewhat contrite—-and blinked, and in light of my stunned deaf--mute response they assumed I had trouble speaking English. The tall one looked over my head, surveying the apartment, and my momentary suspicion that they thought I was the cleaner was reinforced when the bully continued, louder this time:   “Just a few questions, please. We’d like to ask you a few questions.” He accentuated his words the way one might speak to a small child, unrolling each syllable. “Is it all right for us to come in?”   My embarrassment, and perhaps my affront, roughened my voice. I could hear the tremor underscoring my accent: “May I please know . . .” I cleared my throat. “I’m sorry, but could you tell me why, please?”   I recognized a flash of relief in the cowboy’s eyes. “You’ll understand very soon,” he said, resuming his authoritative tone. “It won’t take more than a few minutes, ma’am.”       In the kitchen I poured myself a glass of tepid water and gulped it down without stopping for air. There was no reason for me to be nervous, my visa was valid, but still, the fact that they were sitting there in the living room, waiting for me to come back so they could interrogate me, was enough to make me anxious. I took two more glasses from the cabinet and wondered whether to call Andrew. He was a friend from back in Israel, from when we were nineteen, and I could ask him to come and confirm that he knew me. But even trying to figure out what I would tell him on the phone was enough to make me thirsty again.   By the time I got back to the living room, they’d taken the chairs off the dining table, where I’d overturned them to clean the floor. The tall one had removed his coat and was sitting with his back to the kitchen. I saw the bully standing next to the vacuum cleaner, scanning the room.   “Do you live here alone?”   A spasm went through my hand and shook the glasses on the tray. “Yes, it’s my friends’ apartment,” I said, and tilted my head at Dudi and Charlene’s wedding photo. “They’re in the Far East. On a long trip. I’m house--sitting and cat--sitting for them.” Franny and Zooey were nowhere to be seen.   His gaze lingered on the dishes of water and food under the bookshelf. “And how do you know this couple?” He looked back at the  photograph. “Do they rent or own?” “It’s their apartment,” I said, still not moving. “I’ve known Dudi for ages, from Israel, he’s a childhood friend of mine, and his wife is American—-”   He murmured something and glanced around. “Are you from Israel?”   “Yes, sir.”   He wandered over to the windows. I watched him for a moment, then took advantage of the opening to approach the table.   “How long have you been living here?” he asked.   “About two months.” I set the tray down with relief. “They’re supposed to be back in the spring.” I remembered sadly that I was out of cigarettes. “But I have another friend, he’s from here”—-I searched with my eyes for the cordless phone, intending to call Andrew—-“you can ask him—-”   “Ask him?”   “I don’t know . . .” My voice faltered. “About me . . .”   He turned his back and was drawn to the windows again. “That won’t be necessary at this point.”   “Thank you very much,” the tall one said, surprising me with a deep, crisp, radio announcer’s voice.   “Excuse me?”   “Thanks for the water.” He smiled over the bottle. He had perfect teeth, straight and white like in a teeth--whitening commercial.   I nodded nervously and held out my passport, which I’d retrieved from my purse, open to the visa page. In the kitchen, even though I knew the visa was valid for another six months, I had double--checked the dates.   He turned the passport over, glanced at the blue cover, and went back to the open page. “So, you’re a citizen of the State of Israel, Ms. Ben--ya--mi . . .”   “Benyamini,” I offered helpfully, as if it made any difference. “Liat Benyamini.” I could clearly see the halos of contact lenses in his alert gray eyes as they roamed from the tense expression on my face to the one in my passport picture.   He gestured at the chair next to him. “I’m Israeli,” I mumbled, obediently dragging the chair over. The feet screeched on the floor.       The interrogation really did last less than fifteen minutes. First of all the tall one took out a pad of forms watermarked with the pale green FBI emblem. On the upper left corner of the first one, he wrote the date with a blue pen. He copied my name from the passport in big block letters, widely spaced. Then he meticulously recorded the six digits of my date of birth. His handwriting was handsome, fluent, as assured as the tone he used to ask me to repeat my address, the apartment phone number, and the owners’ names. He wrote down some enigmatic acronyms and checked several boxes at the ends of lines. When he went on to the next sheet, he suddenly looked up and studied my face. I avoided his eyes and looked down at the table. I could see that he wrote “black” and another “black”—-probably my hair color and eye color—-and that he described my skin tone as “dark olive.”   Then the bully took over. “I see you were born in Israel,” he said, flipping my passport back and forth until he figured out that it went from right to left. “Nineteen seventy--three.”   “Yes.” I straightened up in my chair.   “Which would mean that you are now twenty—-”   “Nine.”   “Married?”   My fingernails dug anxiously into my palms. “No.”   “Kids?”   I shoved my hands deep under my thighs. “No.”   “Where do you live?”   “In Israel?”   “Yes, ma’am, in Israel.”   “Oh. In Tel Aviv.”   “And what do you do?”   I extricated my hands and took a sip of water. “I’m studying for my master’s degree at Tel Aviv University.” “Master’s in what?”   I remembered that he had thought I was the maid. “I have a B.A. in English literature and linguistics. I translate research papers.”   “Oh, linguistics . . . ​You’re a translator!” he exclaimed. “That explains your excellent English.”   “Thank you. I’m here on a Fulbright fellowship.” I tried to keep my tone flat, businesslike. “They arranged my visa.”   He looked at the passport again. “For almost six months.” He nodded at the document. “I do see here that your visa is valid until May 2003.”   “Yes.” I tamped down my nervous foot that was fidgeting under the table, and longed for a cigarette with all my being. “May twentieth.”   “Interesting. That’s interesting,” he said after drinking half his glass of water. “You translate from English into Hebrew?”   I nodded dryly. And regretted ever mentioning it. I could have just said I was a student from Israel and been done with it, but I must have felt the need to wave something around, to salvage my dignity in his eyes.   His expression remained unchanged. His pink fingernails tapped lightly on his glass. “I assume Hebrew is your mother tongue. . . .”   “Yes. Um, no . . .” I forged ahead despondently. “My parents are Iranian immigrants, but my sister and I grew up speaking Hebrew.”   The tapping stopped, replaced by a hum. “Iranian immigrants?”   “My parents are Jews from Tehran; they emigrated to Israel in the mid--sixties.”   He made sure his partner was writing this down, then turned back to me. “So both of them, both your parents, are Jewish.”   I nodded again. And for the tall one’s sake, who looked up at me with a questioning expression, I repeated out loud in a clear voice, “That’s correct.”   “That is certainly interesting,” the bully went on, wrinkling his forehead. “And your relatives, do any of them still live in Iran?”   “No,” I answered. This new direction the conversation was taking instilled me with confidence. “They all emigrated to Israel, they’ve all been Israeli citizens since—-” “And you yourself, have you visited Iran recently?”   “Never.”   “You didn’t perhaps take a trip there,” he tried again, “to track down your roots or anything like that?”   “Iran is not a highly recommended destination if you have one of those.” I jerked my head at the passport. “They might let me in, but I’m not sure I’d be able to get out. . . .”   He liked my answer. He looked at the passport with a hint of a smile and opened it back to the page where he’d kept his finger. “So you’re saying you’ve never visited”—-he examined the stamped pages—-“Iran.”   “That’s right.”   “But judging by what I see here, you’ve made several visits to Egypt in the past few years.”   “Egypt? Oh, yes, to Sinai. We used to go there a lot. But lately it’s become a little dangerous. For Israelis, I mean . . .”   He got to the end of the passport and removed a document that had been stuck there ever since I finished my army service.   “That’s from the IDF—-the army,” I explained. “It says I’m allowed to leave Israel as I wish.” Before he could unleash another barrage of questions, I added, “Military service is compulsory in Israel. Women serve two years and men three. I served in a unit that takes care of soldiers’ social welfare. I enlisted in 1990 and finished in ’92.”   My sudden flow of speech, and particularly the effort I had made in the past few minutes to give my voice a measure of calm and an odd sort of levity—-as though I was finding this situation increasingly amusing—-had completely exhausted me.   “Now tell me, please”—-his voice sounded light and carefree now, almost friendly—-“how you write your translation work.” He shut the passport and handed it to me. “Pen and paper, or on a computer?”   I certainly wasn’t expecting that. “Computer.”   “A laptop?” I couldn’t believe it was still going on. “Yes, I . . .”   He interlaced the fingers of both hands and put them on the table in front of him. “Here, at home?” “Either here or at the university library.”   “And in coffee shops? Do you work on your laptop at coffee shops?”   “Yes. Sometimes.”   “Is there a particular place you go to regularly?”   “A particular place?” I hesitated. I wasn’t sure what he was getting at. “I’m sorry, but I don’t understand. . . .”   “Ma’am, have you recently visited a café not far from here, on the corner of Tenth Street and Sixth Avenue?” His partner passed him the pen and he signed the bottom of the form. “Café Aquarium?”   “The Aquarium, oh yes . . .”   “Might you have been there last week? On Tuesday evening?”   “Tuesday? I might have been. It’s—-”   He closed his eyes for a second, looking gratified. “Thank you, ma’am.”

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